The objective of this project was to create a visually captivating music video that not only showcases the music but also embodies the distinct aesthetic and artistic vision of a specific musician. Our goal was to seamlessly integrate the musician's sound and visual style into the video, ensuring that every frame reflects their unique identity and creative essence. Through careful planning and collaboration, we aimed to produce a music video that resonates deeply with the artist's audience, enhancing their connection to the music and providing an immersive visual experience.
For as long as I can remember, I have had a passion for music so I decided to make a lyrical music video for one of my favorite musicians, King Krule. I wanted to convey the blue and melancholy nature of his music through visuals and texture.
King Krule is a British musician that has an extremely wide variety of genres he has experimented in. He has songs that explore punk, post-punk, jazz, ballads and even 60's rock. This song in particular really encapsulates the blue nature in his music. It's a ballad from his song "Czech One." It is an extremely moody song, so be warned.​​​​​​​
Software Used: TouchDesigner, After Effects, Cathodemer,
Visions of Chaos & Cinema 4D
My Process
The process began with a rough storyboard that outlined the core visual direction and pacing of the piece. From there, I experimented with different generative and compositing workflows to develop a library of abstract visual elements. I used TouchDesigner to build and manipulate real-time video textures and motion-based forms, which became the foundation for much of the visual language.
To expand the texture and atmosphere, I incorporated the software "Cathodemer" for CRT-style distortion, scanlines, and analog-style degradation effects, helping to reinforce the darker, lo-fi aesthetic. I also used Visions of Chaos and TouchDesigner to generate additional textures and generative motion experiments, which were integrated into the overall system.
All of these elements were then brought together in After Effects, where I composed, refined, and structured the final sequence. The result is a layered experimental piece that combines real-time creative coding tools with
post-production compositing to create a cohesive, mood-driven visual study.
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